Sunday, February 3, 2013

3rd Letter to the Birmingham Bridge: nature post #3


Do you catch cold, dear friend? Do you catch anything in your webbed overhead? I look up to you, glinting in the almost sun. The snow has been spared for the first half of the week. Now, Saturday afternoon, it is a stick in your asphalt flooring, slowly the seemingly dead-end cars. The snowed-in traffic makes you seem smaller, today. I am claustrophobic enough traveling you in a car, now surrounded by darkness just before 5pm. With honking cars and slush-snow I am more aware of them than I am of you. What does that make me today, us?

If I could be a cold blooded animal just to swim below you, just once, Oh, I would. I imagine looking up to your underbelly, pasted in a gray-brown pavement. I imagine what I see. Maybe your peaked-top of a bridge will look something like a tower of wings rising up over the flat-bottomed sides of your body. I imagine I would only be able to see the birds that play on the brown Monongahela, but the ones on top disappearing to your top-cover of a sky. I imagine losing and gaining company. Who dwells on and above the bridge will do so, still, as I join the others below. I’d swim and jump, to you, rise and fall under you, reaching, many more times than the sun each day.

But, if I could crawl on my belly, naked in the snow, how close would I be? I’d tunnel-slide the runway, cuddle the rails that keep me from the waters. I’d feel everything as opposed to a non-human numbed nothingness in the cold. I’d slide my skins under the snow, slither into crevices of your cracked concrete grounding. God, what would I be, but maybe an open wound of Mother Earth, then?

Maybe as another type of being I’d acquire more answers than that of geographical and historic information. Maybe I’ll know you intimately, then. I wonder about you, massive being, flung between river and sky. I wonder who you are most times when I wonder who am I.

4 comments:

  1. Daeja,
    I really appreciate your poetic imagery and metaphors. In your search to adequately describe what you see, you share with us your inner yearning to find who you are. That is the constant endeavor. The quest for ourselves through the discovery of our voice. You have one, and it is strong.
    The place you have chosen is described in such organic ways it makes me see all kinds of life, life that isn't even there, in the concrete world you illustrate for us. That is a testatament to your writing. You have drawn my imagination into your world for me to participate in. That is not an easy feat, but one that you have succesfully done for me.

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  2. Daeja,

    This is beautiful writing.

    I so admire the way you have been able to continually speak to the Birmingham Bridge from one post to the next. It takes a great skill and an artful mind to continue with that kind of format and aesthetic. There is such a deep intimacy in your posts and it only seems right that you are speaking to and not for or about the bridge.

    Thank you for sharing this intimacy with us week after week,

    Marguerite

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  3. I love your sentence "Maybe as another type of being I’d acquire more answers than that of geographical and historic information." This is great, Daeja, and your blog embodies the idea. I don't think we can discount the history and geography, and I don't think you do either. It's just great that you push beyond these 'standard' realms of knowledge, knowing, and understanding.

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  4. I love that we're getting a sense of your deepening relationship to the bridge through the continuity of your entries so far. One thing I think I might like to see is for you to step back a bit from the abstraction for a time, to consider the actual *thing-ness* of this place, what it looks like, literally, what its made of, what it's like if you visit the various vantage points nearby and what you find there, what the history is, all those things that help inform you current understanding of and relationship to it.

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