Wednesday, April 17, 2013

Birmingham Bridge Post #10: Carrying On


I'll address this to everyone today.

The seasons almost blend together. There is always rain. 

This morning I went on a run in the cool, post-rain wind. It stormed last night for about three hours and then just poured on the city. I sat in Schenley Park, behind the Frick Fine Arts Building, tried to find some quiet to write in. When there is good weather in Pittsburgh the whole city comes out to revel in it. I finally settled far enough away from the other college students and high school students, but close enough to hear a little league baseball coach yelling encouragement to eight year olds. With music, notebook, and pen I found a small amount of serenity for an hour. It started to thunder and lightening a cool twenty minutes before anything else happened. God was warning us that shit was going to hail down, literally. I paid no attention, smiling at the prospect of getting wet, of being vulnerable and unprotected against the storm.

I braced myself with a playlist and carried on. It wasn’t until I felt big, hard drops, something like hail, that I decided to pack it in. I knew I wouldn’t beat getting soaked, but that maybe I shouldn’t get caught in a flood. As I stepped into the street to cross to the bus stop the water came up over my ankles. I saw small bits of leaves and dirt stuck to my thighs as Jason Mraz’s “A Beautiful Mess” blasted my soul through the turmoil from the sky. As I stood under the bus stop shelter I started to get a little cold, no longer walking to keep my body warm. When the bus came I plunged into the street. The bus driver yelled at me, saying that she was trying to pick me up at the curb so I didn’t have to do that. I smiled, thinking of how none of that matters. 

It was no longer such a heavy rain once I was walking home from the bus stop. I stayed out there as long as I could as the rain started to cool to a lower temperature on my dress and fleece jacket. I walked into the house dripping, unbelieving of how new I felt. Peeling my clothes off I was pretty cold. It was the first time I’d felt uncomfortable through this. I thought of the Birmingham Bridge and how it would look after this shower.

This morning I went for a run at 7am. The bridge, even rusted, looked cleaner, the concrete path wasn’t full of as much litter and spilled food. My skin breathed and shook as the wind grazed it while my legs pumped. It wasn’t long before I was just walking and thinking. A friend recently told me to take a walk and cry, that I’d feel better. But now I know that grief isn’t just tears.

This semester I learned the importance of rain and water to my relationship with the bridge and my writing in general. Without these three rivers we are surrounded with in Pittsburgh there wouldn’t be any refuge on the bridge for me, without the rain that so often visits this city the river wouldn’t be as vast, the waters as changing and new, they’d be equally as filled with pollution as they were fifty years ago. I, too, feel new as well as rusted in the rain. My skin feels so smooth as I stand in the downpour but when it stops it dries cold and my skin ashes. I feel human then. 

I learned to move from eroticism and fantasy to the more human aspect of my relationship with the Birmingham Bridge and its surroundings. It took until nearly the end of the semester for me to understand that I came to the bridge as a place to sweat and breath away my sorrow and pain. I finally found a way to write through grief, by letting the subject of my writing be something other than my grandma or my own struggle. The subject became Birmingham’s relationship to the old Brady Street Bridge, what the bridges do for the surrounding neighborhoods, what the relationship between the bridges and the waters are, and the cars, birds, and graffiti I found on the bridge. 

I came to understand prose a little more, rather than just prose poetry. I’m still working at it, but my writing has changed with the seasons. As warmth is becoming more certain my words are clearer and my prose more strategic. I still hold onto lyric but now am getting the hang of telling a full story. When I first looked at the bridge I saw a cold, dead thing with potential. Now I look at the bridge and I see the cracks and crevices I’ve stood at and run over and around. I see the rust it took so long to notice, because I held the bridge at arm’s length creating it in perfection in my mind. 

I am now able to contextualize the bridge as a part of a larger relationship with Pittsburgh’s history. Like getting to know someone those details have become essential to what I feel about my place, the Birmingham Bridge. I’m not sure I’ll ever know another place so deeply, or a place that will help me without saying a word or moving. 

I am unable to separate my growth as a person with my growth as a writer this semester. They are one in the same for me. I write to ease the tension in my mind, the same reason I run. By actively forming this relationship to the bridge I bonded those two things together. I’m not sure they were ever supposed to be separate. It is as gloomy out today as it was that first day I walked upon the bridge and decided it would be my subject. It is much warmer out with no snow. But somehow I feel the sun pushing at the clouds in a way winter sun doesn’t. Somehow I feel like I am that sun behind those clouds trying to break and illuminate, to let the bridge and other non-moving pieces of the city warm their bodies because they cannot move on like I can.  

Sunday, April 7, 2013

Blog Post #9: The Work


Here we are “Spring” bellowing down on your concrete and steel body. Do you sunbathe, Birmingham? I wish you could know what some things are like. 

Yesterday I went to Highland Park with the boys. I pushed Rocco on the swings and watched his deep brown eyes glisten in the sun as his three year old face twisted in delight. His cheeks were plush against the wind. We switched between “Weee!” “Boo!” and “Don’t let go!” He must have felt like he was flying, must have felt like Spiderman when he let go for that one second before I caught him and told him, “No, we don’t want you to fall out,” and tickled the top of his belly. His outrageous, breathy giggle against the push of the wind panted as if to say, “This feels like work.” A kid’s workday at the park.

His dad and uncle came up to the park after moving the couch. Well at least I got to steal the little one for an hour. I stood as the park stilled. Dan flew past me to chase Rocco, pick him up, and anxiously fly him through the air as if it’s been a lifetime. I didn’t even see him coming until he was past me. It took a while for me to notice Dave standing next to me. I couldn’t stop thinking, how could I love this little thing that is in no way mine? I’m not even sure what my place is here. Something new. 

Have you ever felt that way, Birmingham? That mysterious hunger, that vibrant chill on your skin fighting against the warmth of the first “Spring” sun on your spine and in your breath? 

This is what it’s like: You don’t know what it is that tells you to dig your feet in the warm dirt and close your eyes to the warm wind, the distant sun, the world that tells you to work and not enjoy. Something tells you to remember.

Have you dreamed of this day, when something so innately unpossessed, or so impossibly not yours, could in some way become your own? 

*

You’re blossoming today. The sun is almost hiding those scars you have, those pieces of skin that peel dark gray. Do you feel the splashes of the river? Does it cleanse you or make you shudder? 

What if one day you were dismantled and fell slowly into that body of water? Would you cup over the top of it, spill it into our city? How would you handle such displacement, such stress? 

Who would pick you up? 

Maybe you, too, would retreat into a reality that you’ve learned to always make a fantasy, always learn to be unsettled. Learn to be ready to go. Now there are no attachments, a single body in the world, a single body in the water. Get up and fly. It’s “Spring.” This is when we learn to be new.